Operahouse – ‘Born a Boy’ (single review)
For me, the word ‘opera’ does not evoke much excitement. Admittedly, those who practise it obviously have no lack of talent, but it is one of those things I couldn’t see myself devoting much time to. Fortunately, the name of this little quartet from Camden has no connection to the fat bloke you have to [...]
-->Sargasso Trio – ‘Heels on Fire’ (single review)
You wouldn’t need three guesses to discover that this three piece derive from none other than a marching samba band. All the ingredients are there – shakers and cowbells amongst many other traditional samba instruments – but Sargasso Trio have fused a bundle of other genres together, such as country, Latin and 80s electro, to [...]
-->Nine Inch Nails – ‘Y34RZ3r0r3mix3d’ (album review)
Each time a Nine Inch Nails album is released, you can be pretty sure that a remix CD will be released within the same year. Often these albums tend to disappoint, given the excellent nature of the original songs. However, Y34RZ3R0R3M1X3D, despite the ridiculous name, is probably the best and most innovative of the bunch. [...]
-->Saul Williams – ‘The Inevitable Rise and Liberation of Niggy Tardust’ (album review)
Saul Williams is one of the most interesting things to come out of the hip-hop scene, well, ever. Originally working solely in spoken word and poetry jams, Williams then created his own brand of experimental, progressive rap music that took apart all the bravado and machismo that hip-hop has forever been synonymous with. His latest [...]
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